Trying to exist, while never knowing if tomorrow would occur, as noisy, robot murderers fly above your villages and family compounds in the Tribal Territories betwee It's odd that all the reviews of this book are about "the war on terror", corrupt and illegal government actions, and the primacy of money. The years of random terror and cruel slaughter caused by the drone bombings in Waziristan. But the most important part, to me, was the heartbreaking reason for the "murder of agents".
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It's odd that all the reviews of this book are about "the war on terror", corrupt and illegal government actions, and the primacy of money. This is a theater of violence and retribution, in which the last act is one that Sophie could not have imagined.ĭavid Ignatius has written a disturbing and compelling novel where the price of unchecked government is paid in blood, and peace can be bought only through betrayal.more But the closer Sophie gets to her quarry, the more she realizes that nothing in this gallery of mirrors is quite what it seems. In addition, she gets help from the well-mannered lieutenant general heading Pakistan's Inter-Services Intelligence Directorate. Sophie thinks she has the backing of her hard-nosed boss, Jeffrey Gertz, and his genial mentor at headquarters, Cyril Hoffman. Her starting point is Alphabet Capital, the London hedge fund that has been providing cover for this secret operation, but the investigation soon widens to include the capitals of the Middle East and the cruel hills of South Waziristan. It falls to Sophie Marx, a young CIA officer with a big chip on her shoulder, to figure out who's doing the killing and why. Someone in Pakistan is killing the members of a new CIA intelligence unit that is trying to buy peace with America's enemies.
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It falls to Sophie Marx, a young CIA officer with a big chip on her shoulder, to figure From the author of the best-selling Body of Lies and The Increment: in a tragedy of revenge, the CIA falls victim to its own daring operation in the Middle East. It may not quite reach the heights of Fargo, but if you enjoyed Cold Pursuit or the inferior-but-similar Daughter of the Wolf, then Blood and Money will be right up your dirt road.From the author of the best-selling Body of Lies and The Increment: in a tragedy of revenge, the CIA falls victim to its own daring operation in the Middle East. It could’ve also used a dash of humor to liven up the proceedings, and a sharper title. There are some inconsistencies and difficult-to-buy scenes. The filmmaker beautifully captures the blistering cold of Maine, as well as its claustrophobic isolation. His Jim is weighed down by years of isolation and regret, his only goal to “get out there and bag my buck.” What’s driving this man to choose money over human life? Why won’t he admit he may be terminally ill? Barr wisely doesn’t over-explain his anti-hero’s motivations, leaving the audience to draw their own conclusions. The grisly fate of Debbie’s alcoholic husband George (Jimmy LeBlanc) resonates, as does the image of a burning RV amidst the blinding snow.īerenger, the stalwart that he is, holds the film together in an introverted, can’t-take-your-eyes-off-him performance. An encounter with a provincial but observant guard will have you on the edge of your seat, as will the one with a cop at a gas station. Barr, who also wrote and shot the film, knows his way around intense atmosphere and fraught moments. A tense sequence of events ensues.Īfter a slow-burn start, wherein the characters are introduced, Blood and Money kicks into high gear. When he goes back to retrieve evidence from the murder scene, Jim decides to take the stolen money. Soon after, he accidentally shoots a young woman in the woods and recognizes her as one of the robbers. One day, while hanging out with the distraught waitress Debbie (Kristen Hagger) at the local diner, Jim hears of a nearby casino robbery.
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He coughs up blood and washes down his meds with milk. He lives in his makeshift RV, where he drinks and smokes all day. Jim misses his son, whom he hasn’t seen in over a year. The title card informs us that there are no paved roads, no towns – unless you call Allagash, home of aging buck hunter Jim Reed ( Tom Berenger), a town. The film is set in the vast, frozen wilderness of Northern Maine. It may not reinvent the wheel, nor does it try to. There’s little fat on this lean, mean, bloody-rare buck steak. If you’re looking for a no-nonsense, edge-of-your-seat thriller that favors characters over mindless action, then look no further than John Barr’s Blood and Money.